| |
 |
Keith
(Lucky007)
Released:29.05.06
Red Thread is the much-anticipated debut album
from Keith, the Manchester-based
groove merchants behind May 2005's Hold That Gun EP. A
year down the line, Red Thread is a marker of how far the
band has come. 'I think Red Thread's a brilliant collection
of tunes,' says drummer Johnny. 'Kind of a Greatest Hits
of where we're up to at this point. There's a real balance on there
- some fat, grooving tunes, song-based stuff, subtle atmospheric
tunes, some more epic stuff too.'
Already established as an unmissable live act on home turf, the
past 12 months have seen Keith up their game, eliciting a rapturous
response at France's breakthrough Les Inrockuptibles
festival last November and backing Sebastien
Tellier (whose masterpiece La Ritournelle
has been covered by the band) at the Bush Hall a month earlier.
Thanks also to their strong crossover appeal with the dance crowd,
the Hold That Gun EP
was ripped apart and remixed by Simian Mobile Disco
and Herbert, winning Touch Magazine's Leftfield
Single Of The Month accolade in the process.
Red Thread actually began life as an EP. Finding that
they couldn't agree which tracks to put out next, the band came
to the conclusion that the world was ready for the first Keith long
player, and set about recording it during a frenetic burst of activity
in January 2006. The band logged 12-hour days in the studio, emerging
three weeks later with eight newly recorded tracks. Those, plus
re-recorded tracks from the limited Hold That Gun EP, comprise the
album.
The title came from a comment made by an A&R man during the
band's early days. 'He said our sound formed a red thread though
all the different styles of music,' says Oli. 'There's
the dance influence, the folk influence, the indie influence, and
we're the neat red thread wrapping around it all.'
Sure enough, there's a world of different sounds on Red Thread,
whether it's Smiths-influenced pop with echoes of African hi-life
on current single Back
There, meandering atmospheric balladry (Gunshot Revelry),
shoe-gazing indie (Down Below), twisted disco (Mona
Lisa's Child) or Eno-esque avant garde textures on The
Miller, an organic jam which started from riffs on an Aztec
tongue drum. This spirit of eclecticism comes from four strong personalities
- and four different musical backgrounds - that makes up the band's
creative hub. Their frequent DJ sets are nothing if not eclectic,
including everything from funk to indie, soul and psychedelia. Happily,
they've been able to create a way of working that embraces each
member's input equally - good old fashioned democracy. 'As a
band there are so many different influences, different angles, that
we're always going to hit tense points,' says Johnny. 'We have to
take a group decision on everything and trust that we're right.'
Fact is, whatever Keith turn their hands to sounds astonishing.
The four met on a music production course in Warrington, and their
musicianship and experimentalism shine through in every track. 'We've
been playing together for about four years now, so there's a strong
understanding between us,' says Johnny. 'One thing I will say
though, is that having four great musicians in the band can sometimes
be a problem, cos you have ideas that are a little over the top.
Sometimes we have to tone ideas down - we don't want to become a
prog band yet!' |

|
 |
|

BUY FROM:
CD (Lucky007CD)
-
Back There
-
Killing Me
-
Hold That Gun
-
Mona Lisa's Child
-
Unsold Thoughts
-
Gunshot Revelry
-
Faces
-
Leave it now, for now
-
You
-
The Miller
-
Down Below
D (Lucky007D)
-
Back There
-
Killing Me
-
Hold That Gun
-
Mona Lisa's Child
-
Unsold Thoughts
-
Gunshot Revelry
-
Faces
-
Leave it now, for now
-
You
-
The Miller
-
Down Below
-
-
|
|